Magazine

Namibia is a photographic pearl

by Yvette Depaepe
Published the 12th of May 2026

'EXHIBITIONS' is a powerful tool for creating online exhibitions with your photos.
You can add quotes, change the order of your photos, align them in different ways, and adjust their size. Just like a gallery curator arranging prints on the walls of an exhibition, you have full control. The landing page on your profile is an exhibition that you can customise. You can also add more exhibitions and decide which one should be your landing page.

A succesful exhibition will be published on a regular base, in the magazine.
You can introduce some of your favourite exhibitions by adding text – stories or quotes – to make them even more attractive and to have a chance to be selected for publication... AND maybe the next one will be yours.

Today, I like to present you an exhibition titled 'Namibia is a photographic pearl ...' by Mike Kreiten

2.5 mio people in a country more than the size of France isn't much. Hence, there is a lot of nothing in between, you must not be shy of driving hundreds of kilometers, worst case gravel road.
This country has it all, from tropic woods up to the driest desert in Africa. One nice aspect is that you meet so many people more than once when travelling. The attractions are so obvious that it's quite likely to see travelers twice or even more times during your journey. Many of them travel for photography, be it decay subjects, animals, landscapes.
I was lucky to have some of my photos at least published, so I could create this gallery.
Don't hesitate to ask me for recommendations, not that I've seen all of this country.

You can view the complete exhibition here: [340] Namibia by Mike Kreiten
To trigger your curiosity, a small selection of images by concept.

'Long Dead Beauty'

'Sossusvlei'

'Wild Namibia'

'Decay to infinity'

'Kolman'

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Hans-Wolfgang Hawerkamp PRO

schöne Serie mit ausdrucksvollen Bildern, gratuliere lieber Mike

Mike Kreiten CREW

Vielen lieben Dank, Wolfgang! Freut mich.

Elizabeth Allen CREW

Congratulations on your exhibition, dear Mike. The minimalist landscapes are so inspiring along with the abandoned houses, and the wildlife must offer precious moments. I can't deny I'm envious! Thanks as always to Yvette.

Mike Kreiten CREW

Thanks a bunch, dear Liz. Envy is the best compliment you can give me. Go there, you will love it.

'Trees: these majestic beings ...'

Tutorial led by Editor Michel Romaggi (kanadel) in collaboration with the author Vanja Tajnsek
Edited and published by Yvette Depaepe, the 29th of April 2026

‘Tuscan tree-couple’

Vanja, can you tell us about the different steps involved in creating this wonderful shot?

I love mornings when a veil of mist covers the hills. I wanted to capture that sense of mystery. The hilltops and trees emerge from the mist. However, it's one thing to admire the landscape in real life and quite another to then look at the photo on a computer screen.

1. Frame

Here is the original photo. To me, the composition seemed inappropriate.
The photo I present is therefore a cropped version of the original, including three interesting elements that are unfortunately too far apart.

That’s why I decided to crop it.
The trees thus fill the space, providing a visual focal point and wonderfully balancing an otherwise empty composition.

2. Colours

As the sun was about to illuminate the landscape with its yellow tones, and I was no longer in that place, I added this interesting colour gradient in post-production in Photoshop, recreating the colourful morning in a way.

· I added a gradient of colours characteristic of the first rays of the sun spreading over a misty landscape, which usually lasts only a few minutes.

· The chromatic transition between warm yellowish tones and colder bluish tones adds depth and a subtle ambience. This makes the photograph seem minimalist and soothing, with a strongly accentuated atmosphere of fog that creates a sense of silence and space.

For me, the scene with soft colours is correct; it's exactly the one on my computer desk. When another photo taken in the morning was published, a critic wrote that I had succeeded in creating a pale and boring photo if that was my intention.
I admit to yielding somewhat to the demands of the average future viewer during the editing process, making the colours and contrasts as attractive as possible.
Yes, sometimes we also create for others, and there is nothing wrong with that.

What equipment did you use?

I took this photo with an old Canon EOS 6D Mark II camera, which I really liked using for my photography.
Lens: Canon 70–200 mm f/2.8 L IS USM II

Settings: F/7.1, 1/125 sec, ISO 500
Although I now work with a Canon R6 II, I am still a fan of my old Canon 70–200 mm lens.

Why are trees so important to you? Tell us about your series, 'The Trees: These Majestic Beings'.

Because my job is so demanding, I really enjoy wandering in nature in my free time. There, I find peace.
I love trees, and I love mornings when the mist adds an extra touch of magic to my surroundings. I love the peace and silence, and the trees, which are beautiful in all seasons and must be respected more because they bear strong stories. I have loved them since childhood. I enjoy being in their company, touching them, photographing them and including them in the news articles I write. I often try to associate them with birds.

‘Foggy Morning’

‘They are coming 4’

To conclude this tutorial, please tell us more about your relationship with photography and yourself.

I am a photographer and writer from Slovenia. Through my lens, I observe humanity in all its contradictions, from raw vulnerability to silent tenderness. I am always seeking to capture moments of sincerity that transcend mere appearance. While I enjoy capturing critical moments in society, I also seek to counterbalance this by finding patterns in nature. While I am drawn to bright and contrasting colours, I also find magic in monochrome compositions and simple graphic lines. I often explore the boundaries between light and shadow, and between the abstract and the real. I try to capture a moment before it slips into oblivion. Each photo serves as a reminder of the beauty and complexity of the world around us.
I published the book Vanja RAW: Through the Eyes of a Photographer, in which socially critical motifs are accompanied by short texts in Slovenian and English.
I have received several awards for my literary and photographic creations, but my favourite is the Slovenske Fotografinje 2023 (Slovenian Photographers 2023) contest.

‘Good morning Tuscan Tree’

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For Every Mother Under the Same Sky ...

by Yvette Depaepe
Published the 8th of May 2026

To all mothers around the world — this is for you.
May your love be seen, your strength honored, and your hearts forever surrounded by flowers of gratitude.

'Maternity' by Peppe Tambè

Motherhood is rarely still. It moves, bends, stretches like light across a room that never quite lands the same way twice. And yet, in photography, we try to hold it. To frame the fleeting. To give permanence to something that is, by nature, always changing.

Photography has long been a language of memory, and mothers often exist at its center—sometimes visible, often behind the lens. Many of us carry albums shaped by a mother’s gaze: birthdays, scraped knees, first days of school, the ordinary made meaningful simply because it was seen, cared for, remembered.
And yet, how often is she missing from the frame?

This Mother’s Day, perhaps the most powerful act is not just to photograph mothers, but to see them. Not as archetypes of care or symbols of strength, but as individuals—complex, evolving, human. Capture the laughter lines, the quiet pauses, the moments of solitude. Let the camera acknowledge not only what they give, but who they are.

In contemporary photography, there is a growing movement toward this honesty. Artists are turning inward, documenting motherhood not as an ideal, but as an experience—raw, tender, imperfect. These images resonate because they dismantle the myth of perfection and replace it with something far more compelling: authenticity.

This Mother’s Day, perhaps the most meaningful images are not the ones we plan, but the ones we allow. A moment of stillness. A glance. A pause between movements. The kind of photograph that doesn’t announce itself, but stays. Because long after the day has passed, what remains is not just what was seen—but who was there, holding it all together, just beyond the edge of the frame.

But you don’t need a gallery or a project to participate in this shift. It begins simply. A photograph taken with intention. A moment noticed instead of overlooked. A willingness to include the mother—not just as the observer, but as the subject. Because one day, these images will become anchors. Proof of presence. Of love that existed not in grand gestures, but in quiet, persistent ways.

So this Mother’s Day, pick up your camera—or your phone—and look again.
Not for perfection, but for truth.
Not for the extraordinary, but for the deeply familiar.
And press the shutter.

Mums, you are the Women Who Hold the World Together,
keeping it stable and providing a foundation for all that we have.